John Dillinger Was Shot Outside a Theater — His FBI Hunter Was Gone 353 Days Later

John Dillinger Was Shot Outside a Theater — His FBI Hunter Was Gone 353 Days Later

On the night of July 22, 1934, the sidewalk on Lincoln Avenue in Chicago was still giving back the heat at ten o'clock. A small man in a straw hat stood in a doorway beside the Biograph Theater. He was five foot four, with an unlit cigar in his hand.

Twenty feet away, John Dillinger walked out under the marquee with a woman on each arm. The small man struck a match.

Every book stops there. Every movie stops there. His name was Melvin Purvis. In the FBI's own account of that night, he helps plan, he makes a phone call, he lights a cigar. What happened to him after that is not on the page.

John Dillinger had twenty minutes left. Melvin Purvis had 353 days. Both clocks started with that match.

Two years and five months earlier, in February 1932, the Chicago field office was handed to a 28-year-old lawyer from Timmonsville, South Carolina. J. Edgar Hoover picked him personally. Hoover called him Little Mel. So did the newspapers.

In 1932, a special agent of the United States government could not arrest anybody. Not a bank robber, not a bootlegger, not anyone. He could make a citizen's arrest, the same as a butcher or a bank teller, and then he had to find a U.S. marshal or a city police officer to take the man off his hands.

He had no standing authority to carry a weapon. He was a lawyer with a notebook and a filing cabinet. That did not change until the crime bills that came out of Congress in May and June of 1934. The men who stood on Lincoln Avenue in July had held the power of arrest for about five weeks.

The other half of the story begins on March 3, 1934, in Crown Point, Indiana. John Dillinger walked out of a county jail the sheriff's office had been telling reporters was escape proof. He did it with a piece of carved wood in his hand.

Then he took Sheriff Lillian Holley's automobile and drove it over the state line into Illinois. That was the offense that made him federal. Not the banks, not the men who died in them. A stolen car crossing an invisible line in violation of the National Motor Vehicle Theft Act.

On June 22, he turned 31. Three days later, circulars went out across the country. Ten thousand dollars for his capture, roughly $249,000 in today's money, and $5,000 for information leading to his arrest, about $125,000 now. Two separate rewards, two different numbers. That detail would matter enormously to a woman who had not yet walked into the story.

His gang had taken better than $300,000 out of Midwestern banks in less than a year, something close to $7.5 million today. A farmer in Indiana who had watched a bank take the deed to 160 acres could read that headline at his kitchen table and feel something that was not outrage. The bureau knew it. Hoover knew it. He needed a public win nobody could argue with.

Three months before Chicago, he nearly lost the whole thing. On April 20, 1934, in northern Wisconsin, fifty miles above Rhinelander, a summer lodge called Little Bohemia took in a party of guests. The owner's wife recognized the faces. She got word out.

Two nights later, the agents came up from Chicago and from St. Paul. Two of the rented cars broke down on the way. Men rode the last miles standing on running boards, in April in Wisconsin, in coats that were not meant for it. Two miles out they cut the headlights and rolled in dark.

The dogs started before anybody was in position. Then the front door of the lodge opened. Three men came out. Local men. They had come up for supper and stayed for a drink. They got into a coupe and started down the long driveway with the car radio playing.

Agents in the treeline shouted at them to halt. The car kept rolling. The agents fired. Eugene Boisneau was a Civilian Conservation Corps worker. He was in that car and he did not get out of it. John Hoffman and John Morris were hit and lived.

Not one of those three men had ever laid eyes on John Dillinger. The first shots the bureau fired that night did not touch anybody in the Dillinger gang.

Two miles away a few minutes later, Babyface Nelson came up on a parked car with three local residents in it. Three lawmen pulled in behind. Special Agent W. Carter Baum, a second agent, and a constable identified themselves. They did not survive it. Constable Carl Christensen and Special Agent Jay Newman were hit and lived. Nelson took their car and drove off.

Back at the lodge, agents held their positions and fired on the building through the night. In the morning, they went inside and found three frightened women. Dillinger had gone out the back. So had five other men. Nobody had ever been covering the back.

Inside of 48 hours, it was in every paper in America. And it was not a story about gangsters. It was a story about a federal police force that drove into Wisconsin, fired on three men driving home from dinner, buried one of its own, and let the most wanted man in the country climb out a window.

Melvin Purvis offered his resignation. Hoover would not take it. Instead, the director sent a man out from Washington. In the FBI's own words, still published on its website today, Hoover assigned Special Agent Samuel A. Cowley to head the bureau's investigative efforts against Dillinger.

In 1934, Hoover sent for something else, too. A different kind of agent. Men who had done this work before the bureau existed. Charles Winstead and Clarence Hurt, old lawmen out of Texas and Oklahoma, brought north to stand next to the college boys.

Five weeks after Little Bohemia, Dillinger was lying on a table in a house on the northwest side of Chicago. May 27 and 28, 1934. The house belonged to a man named James Probasco. Two doctors worked for close to 48 hours on Dillinger and on Homer Van Meter.

Moles, scars, the dimple in the chin, the dip at the end of the nose. Then they went to work on his hands. The outer layer of skin was cut away and the fingertips were treated with acid and scraped down. The bill was $5,000, around $125,000 in today's money.

The prints grew back, blurred in the middle, perfectly readable around the edges. He paid the equivalent of $125,000 to stop being himself, and it wore off inside of a few weeks.

So he tried the other approach. He picked up a name, Jimmy Lawrence. He found a girlfriend, took her to ball games, took her out to dinner. The most hunted man in the United States was not in a cave in the Ozarks. He was in Chicago standing in line for a hot dog.

In the first week of July, he moved into an apartment on the north side. The woman who lived there called herself Anna Sage. She had been born Anna Cumpanas. She came over from Romania in 1914. She ran houses in Gary and in East Chicago.

By that summer, the government had already opened proceedings to put her on a boat home on the grounds that she was an alien of low moral character. She knew exactly who Jimmy Lawrence was.

By the bureau's own account, late on the afternoon of Saturday, July 21, she got word to an East Chicago police sergeant named Martin Zarkovich. Zarkovich carried it to Purvis.

Then came the meeting, and this is the part worth listening to closely. Cowley and Purvis both sat down with her. They promised her the reward if the information led to a capture. On the deportation, they promised her exactly one thing, that they would bring her cooperation to the attention of the Department of Labor.

That is the whole promise. It is written down in the bureau's own file, in the bureau's own words. It was drawn so narrowly that keeping it required almost nothing. She would find out how narrowly in 1936.

She told them she would be wearing an orange skirt and a white blouse, so the men would know her on the sidewalk. Orange. Under a movie marquee in a black and white photograph, orange goes dark. By Tuesday morning, every paper in the country was calling her the woman in red. Ninety-two years later, they still are.

She did not know which theater it would be, the Biograph or the Marbro. So they split the men and covered both.

At 8:30 in the evening on July 22, three people buy tickets at the Biograph. The picture is Manhattan Melodrama. Clark Gable, William Powell, Myrna Loy. A gangster picture in which the gangster refuses to give up a name and walks to the chair without asking anyone for anything. Ninety-three minutes.

And there is a reason he sits still for all 93 of them. That July is the hottest month on record across most of the middle of the country. Two days after this night, Chicago will record an official high of 105 degrees and no day since has beaten it. The Biograph advertises air conditioning. The safest place in America for John Dillinger that evening is the coolest room on Lincoln Avenue.

Outside, Purvis gets to a telephone and calls Cowley. Cowley pulls the men off the Marbro and moves them north. Then Cowley picks the phone up again and calls Washington.

This part is in the bureau's account and it is almost never in anybody else's. The director of the FBI is on the line from 700 miles away. His instructions are these. Wait outside. Do not start a shooting match inside a crowded theater. And if there is resistance, it is every man for himself.

Then the men stand in doorways in the heat and wait for a movie to end. Not every one of them is federal. There are East Chicago police officers out on that street from the same department as the sergeant who carried the tip in.

Six months earlier, in January, a patrolman named William O'Malley had been killed during a bank robbery in East Chicago. John Dillinger was the man being held at Crown Point for it when he walked out with the wooden gun.

At 10:30, the doors open. The crowd spills onto the sidewalk, and in the middle of it, a man steps out with a woman on either side of him and turns left. He walks past a doorway. In that doorway, Melvin Purvis strikes a match and lights a cigar.

Dillinger understands it immediately. He reaches into his right trouser pocket and moves for the alley. Five shots. Three agents fire them. Three of the five find him. He goes down at the mouth of the alley faced to the pavement.

At 10:50 in a small room at Alexian Brothers Hospital, John Dillinger is pronounced dead. Twenty minutes from doorway to death certificate.

The bureau names the three men who fired. Charles B. Winstead, Clarence O. Hurt, Herman E. Hollis. Each received a commendation from Hoover for fearlessness and courageous action. And not one of the three ever said which of them did it. Not that year. Not thirty years later.

Winstead is the name history usually settles on. The bureau's own record says none of the three ever answered the question. It was never resolved. It is not going to be.

Melvin Purvis is not on that list. He did not fire a shot that night. He struck a match.

By midnight, Lincoln Avenue was shoulder to shoulder for a block in both directions, and Chicago police were pushing people back off the pavement. On Monday morning, one face was on the front page of every newspaper in the United States. It was not Samuel Cowley's face. It was not J. Edgar Hoover's. It was the face of a 30-year-old from South Carolina who had not fired a shot.

He had less than a year left in the bureau. And what happened in that year is the part nobody puts in the movies.

It starts with the mail. Through that fall, the requests came into Washington. Newspapers wanting an interview with the man who got Dillinger. Magazines wanting a photograph. Radio wanting him on the air. The bureau turned them down one after another after another.

The name ran anyway. It ran on the radio. It ran in the newsreels that played before the feature. It ran on the front page every time the bureau brought down another name off the public enemies list. There was no press office on earth that could keep Melvin Purvis out of the paper, and Washington had stopped trying.

On October 22, in an Ohio field, Charles Arthur Floyd, the one the papers called Pretty Boy, died, cornered by federal agents and local officers. What happened in that field has been argued over ever since by the men who were standing in it. What matters here is what Purvis did afterward. He told reporters the credit belonged to the director. The papers printed his name anyway.

Less than four weeks later, on November 17, an inspection team went through the Chicago field office. According to Purvis's son Alston, who published the family's records in 2005, the findings included dirty dishes and stenographers who were smoking.

Ten days after that, at Barrington, Illinois, agents caught up with Babyface Nelson. Samuel Cowley did not survive it. Neither did Herman Hollis. The man Hoover had sent from Washington to head the Dillinger investigation, and one of the three men who fired on Lincoln Avenue, were both gone inside of four months.

After Barrington, the good cases stopped arriving in Chicago. The inspections did not stop.

Then on the first of July 1935, the Division of Investigation was formally given a new name. From that morning forward, it was the Federal Bureau of Investigation. Nine days later, on the tenth of July, Melvin Purvis resigned. He was 31 years old. Three hundred fifty-three days after he struck that match, he cleaned out his desk.

Both of those dates sit in the FBI's own published timeline. They are not printed next to each other.

For the next 25 years, two things ran side by side. Melvin Purvis lived a life. And in an office in Washington, a folder about that life kept getting thicker.

Here is the life. He went out to California and passed the bar. He wrote a book about the bureau in 1936. He put his name on razors and on automobiles and on a box of breakfast cereal. There was a board game with his name on it.

The law enforcement offers came in for a while and then they stopped coming in. A South Carolina congressman put him up for a federal judgeship. By his son Alston's account, that appointment went nowhere.

So he went home, to Florence, South Carolina. He published a newspaper. In 1941, he bought into a local radio station. Then the war. He went in and came out a colonel in the provost general's office. Afterward, he was made deputy director of the war crimes office. He married, had three sons, a house in Florence.

And here is the folder. Every time his name turned up in a newspaper, the clipping went in. Gossip columns went in. Rumors that field offices sent up the chain went in. He was not a suspect. He was not a witness. There was no case.

When he resigned in 1935, the agents who had served under him gave him a going away present, a chrome-plated .45 automatic. You will hear that it was the gun that got Dillinger. It was not. He never fired on Lincoln Avenue. It was a gift from the men who worked for him.

On February 29, 1960, he was in poor health and had been for some time. He was found that day at the top of the stairs in his own house. He was 56 years old. The death was recorded at the time as self-inflicted. His family and accounts published since hold that it was an accident, a jammed round he was working out of that pistol. The sources do not even agree on what the coroner concluded. It has never been settled.

Nobody from Washington sent flowers. No message of condolence came to the house in Florence. Afterward, his widow sent the director a telegram of her own. She thanked him for ignoring her husband's death. She told him his jealousy had hurt Melvin badly, and she told him that she believed her husband had loved him right up to the end. That telegram is the last document in a story that began with a match.

So here is what those twenty minutes on Lincoln Avenue actually bought. Five weeks before that night, Congress had handed the bureau its first real powers. In June, those powers were nothing but words on paper. July 22 was the demonstration. One night in Chicago proved the whole package worked in front of the entire country. The modern FBI got built on that receipt. Inside of a year, it had a new name, a bigger budget, and no Melvin Purvis.

The second thing that night bought was a rule. What happened to Purvis was not really a punishment. It worked more like a policy. The institution has one face, and the face belongs to the director. J. Edgar Hoover held that job for 37 more years.

The third thing is the folder. A file opened on a private citizen who had committed no crime, fed by field offices, kept for a quarter of a century, closed only by his death. Whatever the bureau later became known for doing to Americans, it did to Melvin Purvis first, and it did it to him for being photographed.

Now, the woman. You will hear that Anna Sage was promised $10,000 and cheated out of half of it. Go look at the poster. The circular the bureau issued on June 25, 1934, carried two separate figures. Ten thousand dollars for the capture of John Dillinger. Five thousand dollars for information leading to his arrest. She gave information. She was paid $5,000, about $125,000 in today's money.

The money was not the broken promise. The deportation went ahead. In 1936, they put her on a boat. She died in Romania in 1947, and she never saw this country again. The bureau had promised to bring her cooperation to the attention of the Department of Labor. It kept that promise exactly, not one inch past it.

And here is what keeps this from being a story about a forgetful bureaucracy. Carter Baum, Samuel Cowley, Herman Hollis. All three of those men are named by the FBI today, honored correctly, permanently, by name, where anyone can find them. The bureau is not bad at remembering. It remembers with precision, which is the entire point. What happened to Melvin Purvis was not forgetting.

Hollywood came back for him eventually. Ben Johnson played him in 1973. In 2009, Public Enemies put Christian Bale in the doorway and Johnny Depp under the marquee. And then it ended the way those pictures end, with a sentence on a black screen. The movies gave Melvin Purvis back the leading role the bureau had taken off him, and then folded the last 25 years of his life into one line of white text. Both versions shortened him. Only one of them meant to.

The FBI's account of that night is still up on its website. Anybody can read it tonight for free. Melvin Purvis is in it. He helps plan. He sits in on a meeting with a woman from East Chicago. He makes a telephone call. He stands in a doorway and lights a cigar. Then the page moves on to the three men who fired, to what the bureau did next, to the people later convicted of harboring John Dillinger.

What is not on that page is that the man in the doorway had 353 days left, or where he was in 1960, or why nobody sent flowers. That is not in the file. That was the point of the file.