Rise and Fall of America’s Most Cursed Gilded Age Family | Documentary

Rise and Fall of America's Most Cursed Gilded Age Family | Documentary

The Widener family had already booked their return passage on the Titanic when Harry Widener wrote home with excitement about the new ship, the largest and most luxurious vessel ever built. He was looking forward to the return crossing. Eleanor Widener, his mother, had just completed Miramar, the family’s new summer estate. She had not retreated into mourning.

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She was looking ahead to the future. The Titanic carried some of the most prominent passengers ever assembled on a single vessel. The Wideners knew many of them from Philadelphia society. The first days passed pleasantly.

On the night of April 14, 1912, the collision barely registered in first class. Most passengers went back to sleep. Harry Widener was still awake. He went to investigate and returned with news that made his mother’s blood run cold.

The ship’s designer, Thomas Andrews, was already below, calculating how long they had. The scene was orderly at first. Many passengers still believed the danger was exaggerated. The lifeboats swung out over black water 70 feet below.

Eleanor Widener and her daughter-in-law entered a lifeboat. As they were lowered away, the two women looked up and saw Harry and his father, George, watching them from the deck. Then they stepped back. Eleanor would remember that moment for the rest of her life.

She never saw them again. A short time later, she heard a sound like thunder as everything inside the ship broke loose and tumbled forward. George Widener’s body was never found. Harry’s was never recovered either.

Their names would be read aloud in church for generations. Eleanor’s son Joseph, who had stayed behind in Philadelphia, would spend the rest of his life trying to make sense of the loss. But before the disaster, before the paintings, before the library, there was a boy in Philadelphia learning to cut meat in his father’s shop. Peter Widener, Harry’s grandfather, was not most men.

He had tasted what real money could do. The existing system of horse-drawn streetcars was a patchwork of small companies, each serving its own neighborhood. Widener saw the future before others did. By 1883, he had merged them all into a single operation.

Before Widener and his partner Elkins, public transportation in Philadelphia was chaos. The streetcar routes expanded into neighborhoods that had never had reliable service. The real estate operation built on top of it was even better. Then came electricity.

Widener applied the same formula that had worked in Philadelphia to other cities. Soon, passengers in multiple cities were dropping nickels into turnstiles that fed the Widener and Elkins treasury. Reformers called for public ownership of transit. Widener provided the strategy and the public face.

These were men who thought in terms of industries, not individual enterprises. Harry Widener had never attended university. He spent his allowance on books, not popular novels or adventure stories. He sought out first editions, early printings, works that collectors valued for their rarity rather than their content.

He joined the class of 1907 and threw himself into campus life. The theatrical work sparked another interest. The centerpiece of his collection was English literature from the 16th and 17th centuries. His mother gave him all four Shakespeare folios, including the 1623 first folio that scholars consider the most important book in English literature.

Harry dreamed of building a library, not just a room in a mansion, but a proper institution. He made lists of acquisitions still needed to complete his vision. The hunt was for objects that most people would never see. The years after Harvard passed quickly.

Harry worked in the family business while continuing to build his collection. Each trip added works to his shelves. In the spring of 1912, the family’s business in Europe was complete. They booked their return passage on the Titanic.

Peter Widener never recovered from the loss of his son and grandson. He died just a year later. But before his death, he wrote to a friend, “I wish it was for me, but it is not. ” He simply never learned the full truth about what his family had lost.

Eleanor Widener had survived. She wore her celebrated string of pearls worth $750,000, the jewels she had saved from the Titanic while losing everything else that mattered. She divided her time between Newport, New York, and Paris. Then she turned her attention to a project that would honor her son.

She would not simply give Harvard a collection of books. She would give them an entirely new library. The building’s exterior could never be altered. Her son’s memorial would stand exactly as she had built it, unchanged by future generations.

Inside, Bishop William Lawrence offered a benediction. The first book formally carried into the new library was a 1634 edition of John Downame’s “The Christian Warfare Against the Devil, World, and Flesh. ” At the time, scholars believed it was the only surviving volume from John Harvard’s original bequest to the college in 1638. Harry’s own books were gathered together, including his Shakespeare first folios.

But one book was missing. The Bible that Peter Widener had bought for Harry, before Harry was even born, had passed to Joseph after Peter’s death. Joseph Widener explained simply that the Bible had been bought for Harry and should be among his books. So he gave it to the library.

It is one of only 23 complete copies known to survive. Eleanor did not retreat into mourning. She built libraries, explored rivers, and refused to let the worst night of her life become the whole of her story. She was interred in the Widener family mausoleum at Laurel Hill Cemetery beside the empty markers for George and Harry, whose bodies the ocean had never surrendered.

But the story does not end there. Joseph Widener continued the family tradition. He had married Eleanor’s niece, uniting two of Philadelphia’s greatest fortunes. He would outlive them all.

Joseph turned his attention to art. He started buying paintings because that was what wealthy men did. Then something shifted. He sought out Rembrandts, Vermeers, and works by the greatest masters.

Not reproductions, not second-tier works. Behind one Vermeer hung a painting of The Last Judgment, a reminder that all earthly treasures must ultimately be weighed. Joseph did not simply buy paintings. He built a collection that rivaled any museum.

He opened Lynnewood Hall to the public each summer. Thousands came each year. For many Americans, Lynnewood Hall offered their first encounter with works they had only read about in books. Joseph also continued the family’s passion for books.

He acquired original drawings for Charles Dickens’s unfinished novel “Edwin Drood. ”

In the 1930s, Joseph was in negotiations with a different institution. He planned to leave his art collection to the nation. But he died before the plans were completed.

The paintings left first, then the family, then slowly everything else. The grand house stood empty for decades. But the bones remain solid. The Indiana limestone walls still stand.

The monuments outlasted everything else. In the end, the Widener legacy was not the mansion or the money. It was the books, the paintings, and the library that still stands at Harvard, carrying the name of a young man who died before he could see his dream completed. Eleanor’s truest memorial was the life she lived after tragedy.

She refused to let the worst night of her life define her. Instead, she ensured that her son’s name would be remembered for generations. And it was.